Ambiguity in Keats’s Lamia
DOI:
https://doi.org/10.18533/journal.v3i10.563Abstract
Keats’s Lamia is usually read as an ambiguous poem. The paper will focus on the causes of Lamia’s ambiguity. Her ambiguity presents Keats’s vacillation between two poetic realms—the beautiful and the sublime. And the poem tries to offer his solution to his dilemma. While Wordsworth prefers the sublime in Tintern Abbey and Intimations on Immortality, Keats offers a different choice in Lamia.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).