To the rescue of traditions: Emotional Design and Cultural Values, A Case Study Based on Barranquilla´s Carnival

Authors

  • Angélica Lascar Universidad de los Andes

DOI:

https://doi.org/10.18533/journal.v3i4.370

Keywords:

cultural value, heritage, traditions, emotional design, Carnival of Barranquilla.

Abstract

Heritage, as a cultural expression, refers to a set of tangible and intangible assets that certain groups of individuals use to express themselves. Design is part of these productions that empower objects and create emotional bonds between people and their culture. "The Guacherna: Funny dolls" is a collection of characters inspired in Barranquilla´s Carnival that focuses on the relation between cultural and symbolic values as raw material for emotional design. Throughout this process, it was found that narrative as derived from traditions, as the carnival encourages and strengthens emotional bonds between people and objects, opens possibilities for these traditions to be renewed, divulged, and helps them remain alive in the memory. 

References

Averill, James. (1980). A constructivist view of emotion. New York: McGraw-Hill.

Bajtin, Mijail. (2005). La cultura popular en la edad media y el renacimiento. España: Alianza Editorial.

Boztepe, Suzan. (2003). The notion of value and design. Journal of the Asian Design International, (Accessed 2 Oct, 2013).

Boztepe, Suzan. (2007). User value: competing theories and model. International Journal of Design,

(Accessed 2 Oct, 2013).

Caballero, Jorge Enrique. (2006). Los bienes culturales muebles los objetos diseñados. Revista de Diseño Industrial. Facultad de Artes, Universidad Nacional de Colombia. 6:26-33.

Desmet, Pieter. (2002). Designing emotions. Delf, The Netherlands: Delf University of Thechnology, Dept. pf Industrial Design.

Eco, Humberto. (2007). Historia de la fealdad. Barcelona: Lumen.

Fan, Ying. (2000). A classification of chinese culture.Cross Cultural Management, <http://bura.brunel.ac.uk/bitstream/2438/1277/5/Chinese%20culture.pdf> (Accessed 2 Oct, 2013).

Frijda, Nico. (2000). Emotions and beliefs: how feelings influence thoughts. New York: Cambridge University Pree.

García Canclini, Néstor. (1989). Culturas híbridas.Estrategias para entrar y salir de la modernidad. México: Grijalbo.

Ministero de Cultura de Colombia. (2002). Carnaval de Barranquilla, Obra Maestra del Patrimonio Oral e Intangible de la Humanidad. Barranquilla.

Niedenthal, Paula, Silvia Krauth-Gruber y Francois Ric. (2006). Psychology of Emotions: Interpersonal, Experiential, and Cognitive Approaches. United Kingdom: Tylor & Francis Group.

Norman, Donald. (2004). Emotional Design: Why we love (or hate) everyday things. New York: Basic Books.

Overbeeke, C.J y Hekkert, P. (1999). Proceedings of the first international conference on Design and Emotion. Delft: Department of Industrial Design.

Polkinghorne, Donald. (1988). Narrative Knowing and the Human Sciences. Albany (NY): SUNY Press.

Polkinghorne, Donald. (1995). Narrative configuration in qualitative analysis. United Kingdom: Tylor & Francis Group.

Schwartz, Shalom. (2009). Basic human values: Theory, methods, and applications. The Hebrew University of Jerusalem, (Accessed 2 Oct, 2013).

Yang, Xianyi y Lingling Gong. (2009). Design and culture innovation. Computer-Aided Industrial Design & Conceptual Design. <http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=5375421> (Accessed 2 Oct, 2013).

Downloads

Published

2014-05-01

Issue

Section

Article

Similar Articles

1-10 of 299

You may also start an advanced similarity search for this article.