Conceptual Framework and Case Study of China's Womanese scripts Used in Culture Product Design
DOI:
https://doi.org/10.18533/journal.v7i3.1363Abstract
Womanese scripts (also called Nushu??) has been praised as one of the Chinese
special and secret languages, and a kind of unique characters used by women only. Designing "culture" into products will be a design trend in the global market. Based on the research of cultural and creative product design, this article analyzes Womanese scripts and artifacts from three aspects to explore new cultural product designs. Combined with the Scenario approach, this article will construct a framework for turning Cultural paradigm to Cultural product design. Taking the case of Chinese Womanese scripts, the conversion of cultural products is carried out to verify the value of the research framework. Therefore, a general framework is proposed for Womanese scripts to translate culture creative industrial design that applies to a culture product design and economic model. Besides, Womanese scripts is a kind of emotional product that can be expressed and transmitted into modern life and can increase the emotional interaction between people. This has a great significance to the cultural creative industry design and economic model, such as historical and cultural heritage.
References
Gao, Y. J., Chang, W., Fang, W. T., & Lin, R.(2018). Acculturation in Human Culture Interaction-A Case Study of Culture Meaning in Cultural Product Design. Ergonomics International Journal,2(1),1-10.
Gong, Z. B. (1995). Female Characters and Female Society. Urumqi: Xinjiang People's Publishing House.
Gong, B. T. (2005). It Is Recommended to Use Womanese to Translate "Nushu". Journal of Hunan University of Science and Engineering, 9 (26), 102-103.
Green, W. S., & Jordan, P. W. (Eds.). (2003). Pleasure with products: Beyond usability(pp. 367–376).CRC press.
Hsu, C.H., Lin, C.L., & Lin, R. (2011). A Study of Framework and Process Development for Cultural Product Design. In P. L. P. Rau (Ed.), Internationalization, Design and Global Development (Vol. 6775, pp. 55-64): Springer Berlin Heidelberg.
Hsu, C. H., Chang, S. H., & Lin, R. (2013). A Design Strategy for Turning Local Culture into Global Market Products. International Journal of Affective Engineering 12, 275-283.
Ju, F. H. &Hu, Y. (2017). Traditional Tie-dye Handicrafts and Modern Design Concept Combined. Journal of Arts and Humanities, 6(9), 12-15.
Kelley, T. (2001). The Art of Innovation. New York:Doubleday.
Lin, R. (2007). Transforming Taiwan Aboriginal Cultural Features Into Modern Product Design-A Case Study of Cross Cultural Product Design Model. International Journal of Design, 1(2), 45-53.
Lin, R., Lin, P. H., Shiao, W. S. & Lin, S. H. (2009). Cultural Aspect of Interaction Design beyond Human-Computer Interaction. HCI (14) 2009, 49-58.
Lin, R. (2011). From Service Innovation to Qualia Product Design. J of Design Science, Special Issue: 13-31.
Lin, R. (2009). Designing friendship into modern products. In Friendships: Types, cultural, psychological and social, Nova Science; Chapter 3, 1-24.
Lin, R. (2007). Transforming Taiwan Aboriginal Cultural Features Into Modern Product Design-A Case Study of Cross Cultural Product Design Model. International Journal of Design, 1(2), 45-53.
Lin, R. & Chen, C. T. (2012). A Discourse on the Construction of a Service Innovation Model: Focus on the Cultural and Creative Industry Park. In E-BUSINESS – Application and Global Acceptance, editer Princely Ifinedo, Croatia: InTech, 119-136.
Lin, R. & Lin, C. L. (2010). From digital archive to e-business: A case study of turning “art” to “e-business”. Paper presented at: 2010 International Conference on E-Business; 2010 July 26-28.
Lin, R., Lin, P. H., Shiao, W. S. & Lin, S. H. (2009). Cultural Aspect of Interaction Design beyond Human-Computer Interaction. HCI (14) , 49-58.
Lin, R., Cheng, R., & Sun, M. X. (2007). Digital Archive Database for cultural product design. HCI International 2007, 22-27 July, Beijing, P.R. China. paper- ID:825, Proceedings Volume 10.
Lin, R. & Chang, C. L. (2004). A study of Consumer Perception in Innovative Product. Paper presented at the International Conference , Australia, November 17-21.
Lin, R. (2006). Telling Stories, Creating Scenarios - Scenarios of Cultural Creative Design. Art Appreciation, Vol. 2 No. 5.
Lin, R. (2007). Transforming Taiwan aboriginal cultural features into modern product design: A case study of a cross-cultural product design model. International Journal of Design 1(2): 45-53. 25.
Moggridge, B. (1992). Design for the Information Revolution. Design DK 4, Copenhagen: Danish Design Centre.
Moalosi, R., Popovic, V., Hickling-Hudson, A., & Kumar, K. L. (2005). Integrating culture within Botswana product design. In Paper Presented at the International Design Congress.
Myerson, J. (2000). Masters of Innovation. New York:Laurence King Publishing.
McIlroy, A. (2003). Culture Industry Funding—Sponsorship or Investment? Opportunities and Case Studies in the Promotion of Cultural Industries, International Forum,3(5). pp.1-8.
Murovec, N., & Prodan, I. (2009). Absorptive capacity, its determinants, and influence on innovation output: Cross-cultural validation of the structural model. Technovation, 29(12), 859-872.
Norman, D. A. (2004) Emotional design–Why We Love or Hate Everyday Things. New York: Basic Books.
Popovic, V. (2002). Activity and designing pleasurable interaction with everyday artifacts. In P.
Peng, Z. R. & Li, R. Q. (2012). Womanese Works in Jiangyong,Hunan. Journal of Shaoyang University (Social Science Edition). 11(2).pp.55-63.
Tian ,L.J. (2004). Jiangyong Womanese scripts (Nushu) and its Female Culture Color. Journal of China Women's College,(4), 25.
Varutti, M. (2015). Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan. International Journal of Heritage Studies, 21(10), 1036-1049.
Zhang, X. (2013). Patterning Art of Jiangyong Womanese scripts. Hunan Folk Art Research, Volume 117.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).