The Tragedy of Becoming: Hegel in Cruz’s Anna in the Tropics
DOI:
https://doi.org/10.18533/journal.v5i1.892Keywords:
Anna in the Tropics, Nilo CruzAbstract
The small world of Nilo Cruz’s Anna in the Tropics brings to light a collision between historical and cultural forces personified in the play. It is this drama’s singular transitional moment, the end of the cycle for a way of life represented by Cruz’s characters that reverberates both tension and meaning for modern audiences. The resolution of a conflict between two of the play's central characters effects questions that hover over the play's final tragic tableaux. Their clash of seemingly justifiable positions frames Anna in the Tropics as a dialectical drama that is redolent in many ways of G.W.F.’s Hegel’s view of tragedy, as evidenced by his analysis of Sophocles’ Antigone. The dialectical form of Anna in the Tropics discloses what it means to enter a world of becoming for its immigrant characters of the Depression Era and for its modern audiences as well.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).