The Development of Polyphonic Music That Started During the Early Years of Republic of Turkey
DOI:
https://doi.org/10.18533/journal.v3i12.630Keywords:
Conservatory, Music, Republic, TurkeyAbstract
The present study aimed at examining the development of conservatories which started to become institutionalized under the leadership of Mustafa Kemal in the early period of the Republic and which have brought polyphony to musical culture in our country. In line with this purpose, the following research questions were directed:
• When did Interaction between Classical Western Music and Turkish Music start in our country?
• What were the attitudes towards artistic activities in the early period of the Republic?
• What are the contributions of Turkish composers to Modern Turkish Music who have an important place in the history of Turkish Music in our country?
In the study, the interaction between Turkish Music and Western Music in our country in the 17th century was examined. In addition, the present study also focused on related Turkish composers who became expert in their fields as well as on other related composers who came to Turkey from various European countries. The present study is limited to these data, and the purpose is to present the collected data to today’s musicians and to contribute to their professional developments.
References
References
Aktüze, İ. (2007). Müziği Okumak. 4. Cilt, İstanbul: Pan Yayıncılık, pp. 1860
Bela Bartok. Available online at: http://www.rodosto.hu/tr/osmaniye.html (Accessed 13 December 2014.)
Gökçe, G. (1990). Sanat Kurumlarının Oluşumunda Atatürk’ün Rolü. Ankara: Atatürk Araştırma Merkezi Dergisi, Cilt: 6, Sayı: 18 (Online) Available: http://www.atam.gov.tr/dergi/sayi-18/sanat-kurumlarinin-olusmasinda-ataturkun-rolu (Accessed 11 December 2014.)
İlyasoğlu, E. (1994). Zaman İçinde Müzik. 1. Baskı İstanbul: Yapı Kredi Yayınları, pp. 277.
Örünk, M. (2010). Cumhuriyetin Kuruluşundan Günümüze Çok Sesli Müziğin Gelişimine Kısa Bir Bakış. Mersin Polifonik Dergisi, Yıl 1, Sayı 1, pp. 24 (Online) Available: http://www.slideshare.net/cmsmersin/mersin-polifonik-dergi-1 (Accessed 08 December 2014.)
Palisca, G. (1998). A History of Western Music. New York: Noron Yayınları, pp. 862.
Say, A. (1994). Müzik Tarihi. Ankara: Müzik Ansiklopedisi Yayınları, pp. 518-519.
Selanik, C. (2010). Müzik Sanatının Tarihsel Serüveni. 2. Baskı İstanbul: Doruk Yayıncılık, pp. 318.
Tahirova, F. (2010). Şostokoviç ve Türkiye. 1. Baskı İstanbul: Pan Yayıncılık, pp. 20.
lllustration References
Fig. 1 Available online at: http://www.mehterantakimi.com/mehter_takimi_calgilari.html (Accessed 09 December 2014.)
Fig. 2 Available online at: http://www.mehterantakimi.com/mehter_takimi_calgilari.html (Accessed 09 December 2014.)
Fig. 3 Available online at: http://tr.wikipedia.org/wiki/%C3%9C%C3%A7gen_%28%C3%A7alg%C4%B1%29 (Accessed 09 December 2014.)
Fig. 4 Available online at: https://www.google.com.tr/search?q=osmanlı+da+kullanılan+zil (Accessed 09 December 2014.)
Fig. 5 Available online at: http://www.mehterantakimi.com/mehter_takimi_calgilari.html (Accessed 09 December 2014.)
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
