A HIDDEN FEMINISM INTO THE MALE DANCING BODIES OF THE LAWUNG DANCE IN THE COURT OF YOGYAKARTA
none
DOI:
https://doi.org/10.18533/jah.v10i11.2183Keywords:
Lawung dance, hidden feminism, male dancing bodies. symbols, Yogyanese PalaceAbstract
This article based on the reserach of dance archives called Lawung dance script of the Jogjakarta Palace. The research focussed on the visualization of dance movement and the texts depicting opposite meaning of the forming symbols connected to its visualization. Lawung dance itself has been presented in the strong character in the male dancing bodies. On other side the dance script and text of naration expressed how do the newlywedd must do the sex educative implicitely communicated by the script and text naration. Historically in the Jogjakarta Palace’s tradition the Lawung dance as a part of the ritual ceremony of Royal Wedding . Through this article I wolud like to strives in what kind the hidden feminism include to the male dancing bodies of the Lawung dance of Jogjakarta Palace.
References
Babad Prayud (Giyanti Pungkasan) or The Prayud Chronicle (The Last Giyanti), Sinom song, canto 117 – 121, The Royal Court library Collection in Yogyakarta.
Ibid.
R.M. Pramutomo, “Tari dan Pendidikan Sex di Istana Yogyakarta” (The Dance and Sex Education in the Yogyakarta Palace), Indonesia College of the Arts Surakarta, Research Paper Unpublished, 1998, pp. 46—60.
Clifford Geertz, The Interpretation of Culture, ( New York: Basic Books Publishers, 1973) pp.4--17
Geertz, 4--17.
William Ray, The Logic of Culture, (Massachussett: Blackwell Publishers, 2001) pp. 79--81
Ray, 79--81.
Lagon Ngelik Pelog Pathet Barang Kagem Beksa Lawung, (Ngelik Song in Pelog Minor Modes for Lawung Dance), The Royal Court Library Collection in Yogyakarta.
R.M. Pramutomo, 98.
Magna Lezab Chronicle, Private Collection
Susan L. Foster, “Ballerina Phallic Pointee” , pp. 1—24 in Susan L. Foster ed. Corporealities: Dancing Knowledge, Culture, and Power. (London: Routledge, 1996).
R.M. Pramutomo 98..
William Ray, p. 81
Roger Caillois, Man and the Sacred. Translated by Meyer Barash. (Urbana and Chicago: University of Illinois Press, 2001) pp. 60--61
Elizabeth Grosz, “ Sexual Relation”, pp. 135—136, in Jaques Lacan: A Feminist Introduction. (London: Routledge, 1990) pp. 115—146.
R.M. Pramutomo,., pp.51--57
R.M.Pramutomo, 55--57
Serat Pocapan Beksan Lawung Karaton Ngayogyakarya Hadiningrat (The Dialogues Text for Lawung Dance in the Yogyakarta Palace), The Royal Court Library Collection in Yogyakarta.
R.M. Pramutomo, 56--57.
R.M. Pramutomo, 57.
Gendhing-gendhing Kagem Beksan Lawung Karaton Ngayogyakarta Hadiningrat (The Musics of Lawung Dance in the Yogyakarta Palace), Royal Court Library Collection in Yogyakarta.
Elizabeth Grosz,1990; 116--120.
Grosz, 119--120.
R.M. Pramutomo, 56—57.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Pamutomo RM
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).