The Design Concept of Gunung Padang Prehistoric Stones Photo Book with Exploration Grid

Authors

  • Winny Gunarti Widya Wardani Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530 http://orcid.org/0000-0002-0986-0256
  • Wulandari Wulandari Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530
  • Syahid Syahid Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530 http://orcid.org/0000-0002-4164-203X

DOI:

https://doi.org/10.18533/journal.v8i10.1753

Keywords:

Design concept, photo book, still life, exploration grid.

Abstract

Gunung Padang is a site from the Megalithic era. The Archaeological Team from Universitas Indonesia purposes Gunung Padang as a world heritage to the UN-UNESCO. This site is part of Sundaland, a place of extinct Nusantara civilization. It is located in the Karyamukti Village, Cianjur Regency, West Java, Indonesia. This study aims to communicate this site through the design of photo books as a visual communication medium that conveys messages through picture language. This study seeks to present a picture of prehistoric stones on the site through the concept of photo book design with the genre of still life, which is to enliven the picture of inanimate objects through elements of the design of the photo book using exploration grids, a layout that emphasizes creativity to the space of expression and imagination. The descriptive qualitative research method was used to discuss the concept of the Gunung Padang Site photo book design as a photographic work of art. The description uses a semiotics approach to visual communication that refers to the stages of the creative process of photo books which include the stages of brainstorming, sorting, sequencing, layout, binding, including the concept of illustrations, color, and typographic. The design concept of prehistoric site photo book is to highlight the power of visual signs and to inspire the public about cultural messages. This research can also be a reference in the field of photography creativity, while adding insight to educators and students in the field of  visual communication design.

Author Biographies

  • Winny Gunarti Widya Wardani, Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530
    Visual Communication Design, Faculty of Art and Language
  • Wulandari Wulandari, Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530
    Visual Communication Design, Faculty of Art and Language
  • Syahid Syahid, Universitas Indraprasta PGRI, Jl. Nangka No. 58C, Tanjung Barat, Jakarta Selatan 12530
    Visual Communication Design, Faculty of Art and Language

References

Akbar, A. (2014). Situs Gunung Padang, Misteri dan Arkeologi. Jakarta: Change Publication.

Anggraini, L., & Nathalia, K. (2018). Desain Komunikasi Visual; Dasar-dasar panduan untuk Pemula. Bandung: Penerbit Nuansa.

Barthes, R. (1990). Camera Lucida, reflections on photography. London: Fontana Paperbacks.

Berger, A. A. (2010). Pengantar Semiotika, tanda-tanda dalam kebudayaan kontemporer. Yogyakarta: Tiara Wacana.

Gunawan, A. P. (2014). Genre Fotografi yang Diminati oleh Fotografer di Indonesia. Humaniora, 5(2), 1234. https://doi.org/10.21512/humaniora.v5i2.3266

Kusrianto, A. (2009). Pengantar desain komunikasi visual. Yogyakarta: Penerbit Andi.

Monica, M. (2010). Pengaruh Warna, Tipografi, dan Layout pada Desain Situs. Humaniora, 1(2), 459. https://doi.org/10.21512/humaniora.v1i2.2887

Njirić, D., & Miloslavić, I. (2016). Semiotic Effect in Visual Communication. European Journal of Multidisciplinary Studies, 1(2), 308. https://doi.org/10.26417/ejms.v1i2.p308-316

Paulus, E., & Lestari, L. (2012). Buku saku fotografi still life. Jakarta: PT. Elex Media Komputindo.

Pratama, D., Gunarti, W., Wardani, W., & Akbar, T. (2018). Building Contextual Perception through Background. Journal of Arts & Humanities, 07(10), 53–64.

Ramadina, S. P. (2013). Analisis Perupaan Situs Megalitik Gunung Padang di Cianjur, Jawa Barat. ITB Journal of Visual Art and Design, 4(1), 51–66. https://doi.org/10.5614/itbj.vad.2013.4.1.7

Schirato, T., & Webb, J. (2004). Reading the visual. Crows-Net: Alen & Unwin.

Wardani, W. G. W., Wulandari, W., & Syahid, S. (2019). Presentasi Ruang Arkeologi Situs Gunung Padang Melalui Visualisasi Batu Penanda Untuk Buku Foto. Mudra Jurnal Seni Budaya, 34(3), 394–401. https://doi.org/10.31091/mudra.v34i3.689

Witabora, J. (2012). Peran dan Perkembangan Ilustrasi. Humaniora, 3(2), 659. https://doi.org/10.21512/humaniora.v3i2.3410

Wulandari, W. (2015). Seni Dalam Fotografi Disorientasi. Jurnal Desain, 2(No. 03), 169–182. Retrieved from http://journal.lppmunindra.ac.id/index.php/Jurnal_Desain/article/view/582

Yondri, L. (2012). Punden berundak Gunung Padang maha karya nenek moyang dan kandungannya akan nilai-nilai kearifan lingkungan di masa Lalu di tatar Sunda. Bandung.

Yondri, L. (2013). Yondri-punden berundak 2013.pdf. Purbawidya: Jurnal Penelitian Dan Pengembangan Arkeologi. Retrieved from https://purbawidya.kemdikbud.go.id/index.php/jurnal/article/view/P2%282%292013-4

Downloads

Published

2019-10-14

Issue

Section

Article

Similar Articles

11-20 of 349

You may also start an advanced similarity search for this article.